Satan in the form of Baphomet, canonical satanic icons, Horned Goat horror art pictures of Devil. Collections of satanic drawings, photographs and other graphics of gay Satanism
Collections of satanic drawings,
photographs and other graphics of gay Satanism
(No. 1-100) for immersion in
spiritualization by Satan. Collection SatanArt No. 1
Album theme: Classic image of Satan-Baphomet and
canonical satanic icons. Puritan edition
Addition to the
grimoire "Gay Lust". The names of the paintings are in English.
The album was compiled by His Majesty
Satan's Fag Slut Sodomia ⚣ aka Antichrist SlutSodomia
2024 English version.
Collection for 2021-2024
Baphomet has fascinated and unsettled people for centuries, a symbol that defies simple definition. First appearing in the 10th century, it represents a balance of opposites—light and dark, masculine and feminine, the earthly and the divine. 
Baphomet-Devil roots stretch deep into history, drawing from Egyptian, Indian, and Celtic traditions, linking it to ancient deities and mystical practices. More than just an icon of the occult, Baphomet embodies mystery, transformation, and the power of the unknown.
Baphomet-Devil roots stretch deep into history, drawing from Egyptian, Indian, and Celtic traditions, linking it to ancient deities and mystical practices. More than just an icon of the occult, Baphomet embodies mystery, transformation, and the power of the unknown.
By releasing collections of satanic drawings, photographs and other graphics of gay Satanism for immersion in the spirituality of Satan SatanArt No. 1, I am starting an irregular and periodic publication of graphics of gay Satanism for Satanists and all spiritualized people of our world. The first theme of the art album SatanArt No. 1 from Slut Sodomia will be dedicated to the classical image of Satan-Baphomet and canonical Satanic icons.
Can there be classical images and any canonical images in Satanism? If you think about this question, you can say that in gay Satanism the classical images and canons of Satanism are not provided 😊. Therefore, I will use this term to denote the following satanic graphics and paintings:
1. The most famous and popular images from the field of Satanism, according to the subjective opinion of the Antichrist Slut Sodomia.
2. The highest quality images from the field of Satanism, according to the subjective opinion of the Antichrist Slut Sodomia.
3. The most interesting images, according to the subjective opinion of the Antichrist Slut Sodomia.
As you can see, in fact, there are no canons and no classical images. This is just my personal perception of artistic graphics, which I attribute to satanic. However, Antichrist Slut Sodomia hopes that these images will become an additional tool for the satanic spiritualization of a large number of people around the world, through mental immersion in the spiritualization of Satan, through visual images.
I believe that visual paintings, just like music, can enhance immersion in Satanism and give Satanic spirituality to people of different ages and nations. These are universal messengers of the ideas of gay Satanism and Slut Sodomia is very glad that so many talented graphic artists are working in the field of Satanic painting. Especially in the last 20+ years, since 2000, there has been a massive emergence of excellent works about Satan, Satanism and Satanists. In literally two decades, there has been a rapid birth and development of the modern art of Satanism. The computer, graphics programs and digitalization of art played a very important role in this. I think that in the future, artificial intelligence and neural networks will also become assistants for many artists of Satanism.
ABOUT THE ANTHROPOMORPHIC AND ALLEGORICAL IMAGE OF SATAN IN THE ART OF SATANISM
Anthropomorphism and allegory in art have a rich and ancient tradition. Depictions of Satan are always anthropomorphic and allegorical because Satan can take any form. No one knows what Satan looks like in his canonical form and such a form does not exist. For a Satanist there may be a personal favorite form of Satan, and this is the form the Devil takes for the Satanist. I have already written about this in detail in the grimoire “Gay Lust”.
Allegory (from ancient Greek ἀλληγορία - allegory) is an artistic representation of ideas (concepts) through a specific artistic image or dialogue. Allegory is an artistic representation of abstract concepts and generalizations using specific figurative embodiments. The artist depicts and represents faith, love, soul, justice, discord, glory, war, peace, spring, summer, autumn, winter, death and similar concepts with living beings and specific images . Anthropomorphism is a worldview concept expressed by nominative means of language, fine arts, etc. According to this principle, inanimate objects, living beings and fictional entities that do not have human nature can be endowed with human qualities, physical and emotional .
Therefore, all artistic depictions of Satan are allegorical representations of our Teacher. More important than the painted image itself is the person's perception of the painting. It could be surprise, lust, delight and other feelings. It is precisely these feelings that are born from viewing the paintings in the SatanArt album that are important. It is these feelings that give spirituality to Satan or immerse the beholder in Satanism. Also, the paintings in the album convey the general aesthetics of Satanism - this is a special sensual satanic beauty. Therefore, in addition to immersion in satanic spirituality, albums of paintings instill in a person an aesthetic sense of beauty.
The name "Baphomet" became widely recognized in the 19th century when Éliphas Lévi introduced his striking illustration of the "Sabbatic Goat" in Dogma and Ritual of High Magic. His work cemented Baphomet’s image in modern occultism, though it also fueled connections to sinister forces. In Real Satanism, Baphomet embodies a symbolic representation of Beelzebub.
In the 14th century, the Knights Templar, a powerful Christian military order, were accused of worshipping Baphomet, a charge that led to their brutal persecution. Whether or not the accusations were true, the association between Baphomet and heresy became deeply ingrained in history.
Freemasonry offers yet another interpretation, portraying Baphomet as a symbol of wisdom, enlightenment, and mastery of craft. This contrast highlights the symbol’s complexity, showing that its meaning is not fixed but shaped by those who invoke it.
Even today, Baphomet sparks debate and fascination. Some see it as an emblem of forbidden knowledge, others as a dark and ominous figure. Regardless of interpretation, it remains a powerful and provocative symbol, forever wrapped in mystery and intrigue.
During the early modern period, accusations of Devil worship became closely intertwined with accusations of witchcraft. While medieval witches had been regarded primarily as practitioners of maleficium, or supernaturally induced harm, in the early modern imagination witches were often believed to attend a witches’ sabbath where they proclaimed their allegiance to the Devil and engaged in cannibalistic infanticide. Across Christendom, tens of thousands of people were accused of being witches in this period and often were tortured to extract a confession. Between 40,000 and 60,000 were executed, most of them women.
Although these witch trials declined in the 18th century, fears about Devil worship persisted in new forms. Accusations of Satanism were, for instance, integrated into conspiracy theories surrounding Freemasonry from the 19th century onward. Ideas about active Satanist groups were also promoted through fiction, the most influential example of which was Là-bas (1891; Down There), a novel by French writer Joris-Karl Huysmans. Works like Là-bas helped to cement the connection between Satanism and the black mass, a ritual deliberately inverting the Roman Catholic mass and often involving a naked woman serving as an altar. New media further promoted narratives about Satanist groups during the 20th century, for instance through the 1960s cinematic adaptations of novels like Dennis Wheatley’s The Devil Rides Out and Ira Levin’s Rosemary’s Baby.
The 20th century saw the appearance of various new religions whose practitioners called themselves Satanists or Luciferians, although their understanding of Satan or Lucifer as a figure varied radically. Some, for instance, have insisted that they venerate Lucifer, an entity they maintain is separate from Satan, while others regard the two names as synonyms for the same being. Modern religious Satanists can broadly be divided into two camps: the atheists or rationalists, for whom Satan/Lucifer is a symbol of values they wish to champion, and the supernaturalists, who perceive Satan/Lucifer as a being that literally exists and whom they wish to worship.
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